The special is part documentary and part stand-up with comedians who will tape at a repurposed drive-in movie theater in Brooklyn to allow audience members to enjoy the show while social distancing.

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who

The Flintstone Comedy Show is a 90-minute Saturday morning animated series revival of The Flintstones produced by Hanna-Barbera and aired from November 22, 1980 to September 11, 1982 on NBC. Outside North America, the show was released under title of Flintstone Frolics.The show contained six segments: The Flintstone Family Adventures, Bedrock Cops, Pebbles, Dino and Bamm-Bamm, Captain Caveman, Dino and Cavemouse, and The Frankenstones.

A court-appointed legal guardian defrauds her older clients and traps them under her care. But her latest mark comes with some unexpected baggage.

Old feelings of betrayal resurface, renewing a bitter rift between two girlfriends when one learns that the other seduced her son

I Get That A Lot is a reality television special originally created by Danny Harris occasionally airing on CBS, which sets up celebrities in everyday working class jobs. Hidden cameras are used to capture the reactions of unsuspecting customers and bypassers. When the celebrities are recognized, they deny their real identities and say "I get that a lot," until the end of the segment, at which time the cameras are revealed and they come forward about their identities.The first two episodes also aired internationally in Australia on Channel Ten. There is also a French version based on the format, named Sosie! Or Not Sosie?, produced by Carson Prod and aired on French TV leader TF1.

News on Sunday was a left-wing tabloid that launched to great fanfare in 1987 and went bankrupt just eight weeks later. It was one of the boldest business ventures ever attempted by the far left and it was a disaster. A group who met through a tiny left-wing faction called Big Flame were convinced it was possible to market a left-wing mass-circulation newspaper. They were led by ex-Ford worker Alan Hayling (now head of BBC Documentaries) under the editorial leadership of John Pilger, who walked out before the paper had even launched.

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